A real audit, track by track: 20 tracks, their resolution, their best version
What you see: a 20-track Qobuz playlist, audited by Hi Res Quest. For each track, the left card is your version (resolution, HRQ score); the green card is the best authentic version found of the same recording — highest resolution confirmed by the edition, never an unconfirmed hi-res. No audio is listened to: HRQ cross-checks ISRC codes, recording families, pressings and catalogues.
20tracks audited
13higher resolution found
2possible upsamples
1unconfirmed label
36 → 54average HRQ score
How to read a card
HRQ score (10 to 98): 30 = CD 16-bit / 44.1 kHz · 49 = 24-bit / 96 kHz · 89 = 24-bit / 192 kHz. Same scale on every platform.
Green card: the proposed version — same recording, higher resolution, confirmed edition. Absent when you already have the best known version.
“possible upsample”: the edition labelled 24-bit comes from a 16-bit digital recording (I.G.Y. 1982, Brothers In Arms 1985) — HRQ then proposes the version closest to the master.
“unconfirmed label”: the origin of the hi-res transfer is undocumented (Porgy and Bess, 1958) — score shown without bonus, nothing is proposed.
Flame: popularity of the edition (0–100), to break ties at equal resolution.
The 20 cards
Interactive version (Add / Replace / Nothing buttons, “More” with the other versions): open the demo in the app.
So WhatMiles Davis
88
Kind of Blue · 1959
Miles Davis
So What
CD 16/44.1 FLAC
HRQ30
88
Kind of Blue (remaster hi-res) · 1959
Miles Davis
So What
24-bit / 192 kHz FLAC
HRQ89
TimePink Floyd
92
The Dark Side of the Moon · 1973
Pink Floyd
Time
CD 16/44.1 FLAC
HRQ30
92
The Dark Side of the Moon (2011 Remaster)
Pink Floyd
Time
24-bit / 192 kHz FLAC
HRQ89
Don’t Know WhyNorah Jones
71
Come Away With Me · 2002
Norah Jones
Don’t Know Why
CD 16/44.1 FLAC
HRQ30
71
Come Away With Me (20th Anniversary) · 2022
Norah Jones
Don’t Know Why
24-bit / 192 kHz FLAC
HRQ89
Billie JeanMichael Jackson
95
Thriller · 1982
Michael Jackson
Billie Jean
CD 16/44.1 FLAC
HRQ30
95
Thriller (hi-res) · 1982
Michael Jackson
Billie Jean
24-bit / 176.4 kHz FLAC
HRQ84
DreamsFleetwood Mac
90
Rumours · 1977
Fleetwood Mac
Dreams
CD 16/44.1 FLAC
HRQ30
90
Rumours (2004 Remaster)
Fleetwood Mac
Dreams
24-bit / 96 kHz FLAC
HRQ49
Smells Like Teen SpiritNirvana
93
Nevermind · 1991
Nirvana
Smells Like Teen Spirit
CD 16/44.1 FLAC
HRQ30
93
Nevermind (Remastered) · 1991
Nirvana
Smells Like Teen Spirit
24-bit / 96 kHz FLAC
HRQ49
Back In BlackAC/DC
91
Back In Black · 1980
AC/DC
Back In Black
CD 16/44.1 FLAC
HRQ30
91
Back In Black (Remastered) · 1980
AC/DC
Back In Black
24-bit / 96 kHz FLAC
HRQ49
Easy On MeAdele
86
30 · 2021
Adele
Easy On Me
CD 16/44.1 FLAC
HRQ30
86
30 · 2021
Adele
Easy On Me
24-bit / 96 kHz FLAC
HRQ49
Could You Be LovedBob Marley & The Wailers
87
Uprising · 1980
Bob Marley & The Wailers
Could You Be Loved
CD 16/44.1 FLAC
HRQ30
87
Uprising (Remastered) · 1980
Bob Marley & The Wailers
Could You Be Loved
24-bit / 96 kHz FLAC
HRQ49
Hotel CaliforniaEagles
94
Hotel California · 1976
Eagles
Hotel California
CD 16/44.1 FLAC
HRQ30
94
Hotel California (2013 Remaster)
Eagles
Hotel California
24-bit / 192 kHz FLAC
HRQ89
bad guyBillie Eilish
89
WHEN WE ALL FALL ASLEEP… · 2019
Billie Eilish
bad guy
24-bit / 44.1 kHz FLAC
HRQ35
Native 24/44.1 production: nothing higher exists — you already have everything the master contains.
Get LuckyDaft Punk
90
Random Access Memories · 2013
Daft Punk
Get Lucky
24-bit / 88.2 kHz FLAC
HRQ47
Album mastered at 24/88.2: that is the master’s native resolution — already the maximum.
I.G.Y.Donald Fagen
55
The Nightfly (24/192) · 1982
Donald Fagen
I.G.Y.
24/192 claimed
possible upsample
HRQ89
55
The Nightfly · 1982
Donald Fagen
I.G.Y.
The version closest to the master
CD 16/44.1 FLAC
HRQ30
The Nightfly was recorded DIGITALLY in 1982 (≈ 50 kHz): a “24/192” edition cannot contain more information than that source. HRQ suggests the edition closest to the original master.
Money for NothingDire Straits
82
Brothers In Arms (24/96) · 1985
Dire Straits
Money for Nothing
24/96 claimed
possible upsample
HRQ49
82
Brothers In Arms · 1985
Dire Straits
Money for Nothing
The version closest to the master
CD 16/44.1 FLAC
HRQ30
Brothers In Arms was recorded DIGITALLY in 16-bit in 1985: a “24/96” file adds no information to the source. The CD edition stays faithful to the original master.
SummertimeElla Fitzgerald & Louis Armstrong
64
Porgy and Bess · 1958
Ella Fitzgerald & Louis Armstrong
Summertime
24/96 claimed
unconfirmed label
HRQ49
1958 recording: the provenance of the hi-res transfer is not documented. The score is shown without a bonus until this is verified.
WonderwallOasis
88
(What’s the Story) Morning Glory? · 1995
Oasis
Wonderwall
CD 16/44.1 FLAC
HRQ30
No better version today — HRQ monitoring keeps an eye on this track.
Le vent nous porteraNoir Désir
76
Des visages des figures · 2001
Noir Désir
Le vent nous portera
CD 16/44.1 FLAC
HRQ30
No better version today — HRQ monitoring keeps an eye on this track.
True SorryIbrahim Maalouf
58
Illusions · 2013
Ibrahim Maalouf
True Sorry
CD 16/44.1 FLAC
HRQ30
58
Illusions · 2013
Ibrahim Maalouf
True Sorry
24-bit / 96 kHz FLAC
HRQ49
Don’t Stop Me NowQueen
92
Greatest Hits · 1981 (compilation)
Queen
Don’t Stop Me Now
CD 16/44.1 (compilation)
HRQ30
92
Jazz (album d’origine, 2011 Remaster) · 1978
Queen
Don’t Stop Me Now
Original album — same recording
24-bit / 96 kHz FLAC
HRQ49
A track often added from compilations: HRQ suggests the original album “Jazz” (1978) — same recording, higher resolution, original master.
On the Nature of DaylightMax Richter
67
The Blue Notebooks · 2004
Max Richter
On the Nature of Daylight
CD 16/44.1 FLAC
HRQ30
67
The Blue Notebooks (15 Years) · 2018
Max Richter
On the Nature of Daylight
24-bit / 96 kHz FLAC
HRQ49
What about syncing?
The same playlist, seen from Spotify and recreated on Qobuz or TIDAL: each track arrives in its best available version on the destination, and HRQ says what it could not find. Real data collected on 6 September 2026: to TIDAL, 11 tracks exist in 24-bit, 4 only on CD (Don’t Know Why, Dreams, Hotel California, bad guy), 5 stay as they are. How the Spotify → Qobuz sync works · interactive Spotify → Qobuz example · Spotify → TIDAL.
Cover art provided by Qobuz, shown to identify the works — trademarks and artwork belong to their rights holders. Example scores based on the known resolutions of the catalogue; a real audit applies the same rules to your tracks. FAQ · Understanding resolution.