Pop in 24-bit: 16.4% of the catalog, which frequencies?
Published on October 28, 2026 — figures from the Hi Res Quest base on that date
In the Pop genre, 16.4% of tracks exist in a 24-bit edition. That is below the average across all genres, which stands at 18.9%.
A genre with less 24-bit than average
In the Pop genre, 140,560 tracks were analyzed. Of these, 23,099 also exist in a 24-bit edition, or 16.4% of the catalog. That is below the average across all genres, which stands at 18.9%. 24-bit refers to an edition that contains more data than a CD, which is limited to 16 bits. This extra data increases the available margin for the dynamics of the mix. What matters is not the number itself, but the authenticity of the edition offered: a real 24-bit edition, not a simple re-encoding.
For a genre as broad and as old as Pop, the catalog mixes very old recordings, never remastered in high resolution, with recent productions designed for 24-bit from the start. This gap partly explains why Pop remains slightly below the overall average.
The figures
| Tracks analyzed in this genre | 140,560 |
|---|---|
| Tracks with a 24-bit edition | 23,099 (16.4%) |
| Of which 24-bit at 44.1 or 48 kHz | 62.6% |
| Of which 24-bit at 88.2 or 96 kHz | 24.9% |
| Of which 24-bit at 176.4 or 192 kHz | 12.5% |
| All genres, share of tracks in 24-bit | 18.9% |
Examples of albums in this genre that exist in 24-bit
- Lady Gaga — Born This Way (up to 44.1 kHz)
- The Kooks — Inside In / Inside Out (up to 44.1 kHz)
- Alanis Morissette — Jagged Little Pill (up to 192 kHz)
- Taylor Swift — Red (up to 96 kHz)
- Blondie — Parallel Lines (up to 192 kHz)
- Bruno Mars — Unorthodox Jukebox (up to 44.1 kHz)
Method: Hi Res Quest track base as of October 28, 2026 — 1,448,563 tracks analyzed, editions cross-checked by ISRC code; the resolution retained is the highest confirmed edition for the recording, all sources combined. A figure describes what exists, not what you will hear.
Three frequencies, three edition profiles
Not all 24-bit Pop editions share the same sample rate. The higher this rate, the more detail an edition captures in highs and transients. But the sample rate alone is not enough to judge an edition: it still needs to be authentic, not a 16-bit file simply converted.
- 44.1 or 48 kHz: 14,452 tracks, or 62.6% of 24-bit editions
- 88.2 or 96 kHz: 5,759 tracks, or 24.9%
- 176.4 or 192 kHz: 2,888 tracks, or 12.5%
Most 24-bit Pop tracks therefore stay close to the original support's sample rate, with the main gain coming from bit depth rather than sampling.
Concrete examples
Some Pop albums concentrate several tracks in 24-bit, at various frequencies.
- Lady Gaga, Born This Way: 14 tracks in 24-bit, up to 44.1 kHz
- Blondie, Parallel Lines: 9 tracks, up to 192 kHz
- Alanis Morissette, Jagged Little Pill: 4 tracks, up to 192 kHz
- Taylor Swift, Red: 6 tracks, up to 96 kHz
- Bruno Mars, Unorthodox Jukebox: 5 tracks, up to 44.1 kHz
- The Kooks, Inside In / Inside Out: 6 tracks, up to 44.1 kHz
These differences, from one album to another, show there is no single rule depending on the artist or the period: each track needs to be checked individually.
What this means for a Pop playlist
A Pop playlist often mixes tracks in different editions, without this being signaled at listening time. A track can be played in CD quality while a 24-bit edition exists for the same song, sometimes on the same platform, sometimes on another one. With 16.4% of the Pop catalog concerned, the proportion is not negligible on a playlist of several hundred tracks.
Hi Res Quest checks each track of a Pop playlist, one by one, and flags those that exist in a 24-bit edition elsewhere. The analysis changes nothing automatically: it suggests, the user decides whether to replace a track or not. No subscription change is needed to have a playlist checked.
Check your Pop playlist on Hi Res Quest to spot tracks available in a 24-bit edition.
Analyze my playlist — 50 free tracks